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OBS Color Settings for Prerecorded Videos in a YouTube Loop Stream

For an OBS YouTube loop, use Rec. 709 for SDR, match the Media Source range to the file, and reserve HDR settings for genuine HDR footage.
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For a prerecorded SDR video playing in an OBS loop, use Rec. 709 for YouTube’s SDR output, keep the Media Source’s YUV Color Range matched to the actual file, and enable Loop on the source. Don’t switch on HDR simply because the stream runs for a long time: HDR requires HDR footage and a compatible end-to-end setup.

Recommended OBS settings for a prerecorded SDR loop

  1. Add the video: In OBS, add a Media Source, select the local video file, and enable Loop in its properties. Loop is a source setting: it makes the file replay when playback reaches the end.
  2. Use the SDR color target: Configure the YouTube Live output for Rec. 709 and 8-bit SDR. YouTube’s encoder guidance states, “Color space: Rec. 709 for SDR.”
  3. Check the source range: In the Media Source properties, inspect YUV Color Range. OBS documents Partial as the default. Match the setting to the actual file rather than changing it blindly; the right value depends on the source and cannot be inferred for every video or processing chain.
  4. Set the encoder for YouTube Live: Use CBR and a 2-second keyframe interval. YouTube recommends a 2-second keyframe frequency and says not to exceed 4 seconds. Select bitrate according to YouTube’s resolution and frame-rate guidance and the stability of your upload connection.
  5. Test the result: Check the source’s metadata when possible, then make a private or otherwise appropriate test stream. Look for crushed blacks, washed-out contrast, or unexpected color shifts. A global color-space setting does not necessarily correct a per-source range mismatch.

YouTube transcodes live streams into formats for viewers on different devices and network conditions. Your job is to send a correctly configured ingest signal; you do not set each viewer’s rendition yourself. See YouTube’s live encoder settings, bitrates, and resolutions and the OBS Media Sources reference.

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SDR and HDR are different workflows

Setting area SDR loop HDR stream
Source Ordinary SDR prerecorded footage HDR footage and a playback/source chain that preserves HDR
Color target Rec. 709, 8-bit SDR Rec. 2100 PQ or HLG; YouTube recommends HLG
OBS and encoding requirements Use an SDR-compatible output configuration YouTube’s described setup requires OBS 30.1 or later, HEVC hardware encoding, and P010
Viewer compatibility Standard SDR viewing HDR playback depends on a compatible device; viewers on unsupported devices receive SDR

HDR is not a general “better color” switch for SDR footage. Enable it only when the video is genuinely HDR and the playback, color format, color space, encoder, and YouTube stream configuration all support the HDR path. Consult YouTube’s HDR live-streaming directions. OBS’s HDR guide includes a device list based on hardware support described in 2022; treat it as a dated tested list, not a complete current compatibility guarantee.

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Range mismatches: what to check

Color space and YUV range are separate settings. Rec. 709 identifies the SDR color target; the Media Source’s YUV Color Range setting controls how that selected source’s range is interpreted. OBS documents the control and its Partial default, but the correct setting for an unspecified file is not established by the default alone.

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  • If blacks look crushed or the picture looks washed out, check the file’s range and the Media Source setting before changing unrelated global output options.
  • Do not assume every file uses the same range or that one setting is correct for all video sources in a scene.
  • Verify the result through a test output. YouTube processing and the full playback-to-encoder path can affect what you see, so a setting’s label by itself cannot guarantee the final appearance.

Keep the file and OBS setup reliable

OBS supports common video formats as Media Sources; if a file does not play, confirm that it is in a supported format and can be read locally. Looping only repeats playback: it does not by itself configure the YouTube stream or protect a computer-based broadcast from a power, software, or connection interruption.

If you are recording or repackaging the source, OBS recommends recording to MKV because it is more resilient to an ungraceful stop; OBS can remux recordings to MP4. Save encoder and output configuration in an OBS Profile. OBS stores scenes separately in Scene Collections, so preserve both when moving or backing up a setup. See the OBS recording formats guide and OBS Profiles reference.

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Troubleshooting common problems

  • The video plays once and stops: Open the Media Source properties and turn on Loop.
  • The stream looks washed out or too dark: Confirm the intended SDR target is Rec. 709, then check that the source’s YUV Color Range matches the file. Test the actual output rather than assuming a global setting fixes the source.
  • YouTube rejects or struggles with the encoder signal: Check that the output uses CBR and the recommended 2-second keyframe interval (no more than 4 seconds), then review bitrate against YouTube’s guidance for the chosen resolution and frame rate and your available upload capacity.
  • HDR looks wrong or is unavailable: Do not force HDR on SDR footage. For HDR, confirm the source is HDR and the complete setup meets YouTube’s requirements, including OBS 30.1 or later, HEVC hardware encoding, P010, and Rec. 2100 PQ or HLG.
  • The file will not load: Check that the local file is readable and uses a format supported by OBS Media Sources.
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