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OBS Recording Settings: How to Record Your Stream

A practical OBS recording setup: choose a save location, use a resilient format, balance quality with storage and system load, and test audio before a long session.
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For most OBS recordings, start with Settings → Output, choose a folder with enough free space, record to MKV, and select a quality preset your computer can handle. Make a short test recording before a long session. If your editor needs MP4, remux the finished MKV rather than risking an interrupted regular MP4 recording.

How do I record a stream in OBS?

  1. Set the recording folder. Open Settings → Output and set Recording Path to a location with adequate free space. An external drive is an option if your computer is short on storage; OBS does not require a particular drive or capacity.
  2. Choose a recording format. Select MKV for a resilient default. If you need MP4 for editing or uploading, remux the completed recording afterward or enable automatic remuxing in Advanced settings.
  3. Choose output mode and quality. Simple output is a straightforward starting point. Use Advanced output when you need separate recording encoder settings, multiple audio tracks, or recording rescaling.
  4. Check sources and audio. Confirm the intended video sources are visible and the right audio sources are active. If using multiple tracks, check which sources are assigned to each track.
  5. Start recording and check the result. Make a short test, stop it normally, then open the file from the recording folder. Verify picture, audio, playback compatibility, and the save location before relying on a long capture.

OBS places its basic recording controls under Settings → Output. Its Standard Recording Output Guide recommends MKV for most use cases because an interrupted recording is less likely to lose the entire file.

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Should I use MKV or MP4 for OBS recordings?

Format Advantage Tradeoff
MKV OBS recommends it for most cases; an ungracefully interrupted recording does not necessarily corrupt the whole file. Some editing software handles MKV less well, so remuxing may be necessary.
Regular MP4 or MOV Broad compatibility with editing and online video workflows. The file needs finalization; an interrupted write may leave it unrecoverable. OBS does not recommend recording directly to regular MP4 or MOV.
Fragmented or hybrid MP4/MOV Can combine improved resilience with wider compatibility in supported workflows. Compatibility depends on the editor and codec combination; some editing suites may require remuxing.

To convert an existing MKV recording without re-encoding it, use OBS File → Remux Recordings. You can also enable automatic remuxing in Advanced settings. Check your editor’s format support before a long recording. The OBS formats guide describes container and codec compatibility.

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Which OBS recording quality setting should I choose?

In Simple output, the presets make different tradeoffs between visual quality, file size, and system load. OBS describes High Quality as targeting high quality with a medium file size. Indistinguishable prioritizes quality but creates larger files and can affect older or weaker hardware. Lossless creates exceptionally large files and uses the CPU encoder. Same as stream reuses streaming encoder settings, but recording cannot be paused in that mode. See OBS’s recording encoder presets guide.

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  • Choose High Quality when a practical file size matters and the recording looks good for its intended use.
  • Try Indistinguishable if you need more image detail and have storage and hardware headroom; test first for performance.
  • Use Lossless only when its very large files and CPU encoding suit a specific workflow.
  • Choose Same as stream if matching the stream’s encoder settings matters more than pausing the recording.

There is no universally best preset for every computer, intended output, and editing workflow. A recording mode other than Same as stream can use additional system resources, so watch for performance issues during a test.

What advanced encoder settings should I use?

Advanced mode is for cases where you need control over recording separately from streaming, or need track selection or rescaling. OBS’s Advanced Recording Settings Guide, published 2023-11-30, gives the following baseline examples. They are starting points for the named encoders, not guarantees for every OBS version or hardware configuration.

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Encoder OBS baseline examples
NVENC Constant QP 16–23; keyframe interval 2; preset P5; High Quality tuning; two-pass quarter-resolution; High profile; look-ahead off; adaptive quantization on; 2 B-frames.
x264 CRF 16–23; keyframe interval 2; veryfast CPU preset; High profile; no tune.
AMD CQP 16–23; keyframe interval 2; Quality preset; High profile; maximum 0 B-frames.
Quick Sync ICQ 16–23; TU4; High profile; keyframe interval 2; normal latency; 3 B-frames.

For these quality-number controls, a lower value means higher quality and a larger file. Not every setting is available on every encoder or system. OBS’s standard guide also notes that hardware encoder availability varies by machine.

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For high-quality local recording, OBS’s formats guidance recommends the best-quality hardware encoder available and gives this order: AV1, then HEVC, then H.264. Treat that as guidance for the use case described in the OBS documentation, not a universal rule: codec support differs, AV1 has weaker editing support in that guide, and H.264 remains broadly compatible.

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How do I record separate audio tracks in OBS?

  1. Open Advanced Audio Properties and assign each audio source to the track or tracks you want.
  2. Open Settings → Output and enable the corresponding recording tracks.
  3. Make a test recording and check the tracks in your editor or media software.

Separate tracks are useful when you plan to adjust sources independently in post-production. Standard video players generally play only one track at a time. If the file must play with a complete mix without editing, assign all sources to track 1 as well. See the OBS multiple audio tracks guide.

How much storage does an OBS recording use?

File size depends on quality settings and the encoder; it is not fixed just by choosing OBS. As a specific example, the OBS Project’s recording encoder presets guide says the Lossless preset produces around 7 GB per minute. That estimate applies to that lossless preset, which uses the CPU encoder, not to ordinary recordings in general.

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Check free space at the destination before a long session. If local storage is limited, an external drive can provide more room, but it does not solve encoder overload, dropped frames, or image-quality problems.

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What should I check if an OBS recording has a problem?

  • The recording is missing or saved somewhere unexpected: Check Settings → Output → Recording Path, then confirm the destination drive has free space.
  • An interrupted recording will not open: If you recorded directly to regular MP4 or MOV, an incomplete file may be unrecoverable. For future recordings, use MKV or a supported fragmented/hybrid format. Remuxing helps with format compatibility; it cannot guarantee recovery of every damaged file.
  • The editor will not import the MKV: Use File → Remux Recordings to create an MP4, or check whether the editor supports the file’s container and codecs.
  • The recording is too large: Use a less storage-intensive quality preset and make another test. Lossless is especially demanding on storage.
  • The computer struggles while recording: Try a less demanding preset, verify the selected encoder is supported, and test the recording workload. Recording with settings different from the stream can require additional system resources.
  • The video plays but some audio is missing: Check Advanced Audio Properties and the enabled recording tracks. A standard player may play only one track; include the complete mix on track 1 if ordinary playback is required.
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