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How to Turn an Image Into a Video: 5 AI Workflows Compared

An image-to-video tool turns a still into a moving clip by animating the scene from a source image. Compare how five workflows handle motion prompts, keyframes, camera controls, and reframing.
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To turn a still image into a video, upload it as the visual starting point, then tell the AI what should move and how the camera should behave. The best workflow depends on whether you want to direct motion with a prompt, set beginning and ending frames, control camera movement, or reframe a finished clip. These five options are not an apples-to-apples performance ranking: some details are documented for a standalone service, while others are available through Adobe Firefly interfaces.

What to look for in an image-to-video workflow

Your source image establishes the scene’s composition, subject, lighting, and style. The prompt’s job is usually to describe change: the subject’s action, movement in the environment, and any camera motion. A useful workflow also makes it clear how to revise the result and what output settings are available.

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  • Starting image and keyframes: Check whether the image is simply the starting frame or whether you can also provide an ending frame.
  • Motion direction: Look for free-text prompting, camera controls, or a combination of both.
  • Iteration: Consider how easily you can adjust the prompt, framing, or keyframes and generate again.
  • Output and handoff: Confirm the selected model’s current aspect ratios, resolution, duration, and any editing options before you begin.
  • Access: Availability and settings can depend on the model, interface, region, user type, plan, and credits.

How the five workflows differ

Option What the available documentation establishes Best fit by workflow
Runway Gen-4.5 supports image-to-video. Its guide recommends prompts focused on motion, camera work, timing, direction, and speed. Directing motion in words and refining the prompt between generations.
Adobe Firefly The web workflow supports a first-frame image and an optional last frame, with resolution, aspect-ratio, and—in first-frame-only use—camera-motion controls. Settings vary by selected model. Using keyframes and camera controls in the same environment as clip assembly.
Luma AI Official pages describe image-to-video generation and a Reframe tool for adapting a generated clip to another aspect ratio. Image-led generation with an option to reframe the result.
Kling 3.0 through Firefly Adobe lists Kling 3.0 as a model option in its image-to-video interface. This does not document Kling’s standalone workflow. Trying the model through Adobe’s interface, subject to its availability and settings.
Pika 2.2 through Firefly Boards Adobe’s Boards documentation describes first- and last-frame images as fixed points guiding the beginning and end of generation. Guiding a clip’s start and finish with images in the Firefly Boards workflow.

Runway: prompt for motion, then refine

Runway’s image-to-video guidance says the input image supplies composition, subject matter, lighting, and style. The text prompt should concentrate mostly on what changes. Runway’s guide puts it this way: “Your prompt’s role is to describe what should happen — the motion, camera work, and temporal progression you want to see using clear, direct language.” The guide is optimized for Gen-4.5, which Runway’s getting-started page says supports image-to-video as well as text-to-video.

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A practical prompt pattern

  1. Start with the action that matters most: describe what the subject does.
  2. Add environmental movement, if any, such as wind moving foliage or rain crossing the scene.
  3. Describe camera behavior—such as a slow push-in or a fixed view—when it matters to the shot.
  4. Keep the initial prompt focused. If the result needs adjustment, add or remove one motion detail at a time.

This approach is useful when you want to steer a clip through language and iterate on motion. It is a description of the documented workflow, not a claim that Runway produces better results than the other options.

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Adobe Firefly: use keyframes and model-dependent controls

In Adobe’s web workflow, an uploaded or generated image can serve as the first frame, and a second image can optionally define the last frame. Adobe documents resolution and aspect-ratio controls, as well as camera motion when only the first frame is set. Available settings depend on the selected video model.

Adobe’s image-to-video interface lists Firefly Video and partner models including Veo 3.1, Ray3.14, Runway Gen-4.5, and Kling 3.0. The listing establishes options within Firefly’s interface; it is not a complete guide to each provider’s standalone service. Adobe also describes using generated clips as inserts or B-roll and refining them in the Firefly video editor.

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When to choose this workflow

Firefly may suit creators who want keyframe and camera options alongside clip assembly. Choose the model before relying on a particular control, because settings and capability availability can differ by model, geography, user type, and regulatory requirements.

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Luma AI: generate from an image, then consider reframing

Luma’s official pages describe using a source image to generate moving footage. Its general video-generation page also describes Reframe, which can prepare a generated clip for another aspect ratio without rebuilding it from scratch. The available documentation does not establish a detailed comparison of Luma’s keyframe controls, plan limits, or pricing, so check the current interface for those details before deciding.

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Kling 3.0 and Pika 2.2: what Adobe’s listings do—and do not—show

Adobe’s Firefly image-to-video interface lists Kling 3.0 as an available model option. That confirms access through the Adobe interface, but it does not establish Kling’s standalone prompt controls, price, or availability.

Adobe’s Firefly Boards documentation describes Pika 2.2 with first- and last-frame image inputs. In that workflow, the images act as fixed points that guide the start and end of generation. This should not be taken as evidence of Pika’s current standalone features or pricing.

Check rights, availability, and output settings before generating

  • Image rights: Make sure you have the rights to upload your source image. Adobe says its Firefly model is trained on licensed content and public-domain content where copyright has expired. That statement applies to Adobe’s Firefly model, not automatically to partner models or other services.
  • Model and region: Adobe says video capabilities may vary by geography, user type, and regulatory requirements. Confirm that the model you want is available in your account and region.
  • Settings and cost: Check the selected model’s current resolution, aspect ratio, duration, plan requirements, and credit cost in the product interface. These details can change, and comparable current prices or plan limits are not established for all five workflows here.

Sources

Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon at the time of purchase will apply.

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