To match colors in Filmora, use AI Color Palette to copy the look of a chosen timeline frame or local image/video, then refine the effect with its strength control. For more reliable results, first correct obvious exposure and white-balance differences in each shot; automatic matching can help clips feel consistent, but it cannot make footage captured under very different conditions identical.
Prepare the shots before matching
Place the clip you want to adjust and a suitable reference shot in the project. Choose a reference that has the color and overall look you want the target clip to approach. Filmora’s current Windows guide supports using either a frame from the timeline or a local image or video as the reference. Filmora’s AI Color Palette guide describes both options.
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If the target has an obvious technical problem—such as a color cast, badly exposed highlights, or shadows that are too dark—correct that first. In Filmora, open Color > Basic and use the available white-balance and light controls to address the capture difference before applying a creative match.
Do these 3 things before closing this tab:
1Fix the driver behind crashes, sound loss and screen glitches2Clear out junk files and repair common Windows errors3Scan for outdated or missing drivers - takes under a minuteCorrect white balance and light
Filmora documents Auto and Eyedropper options for white balance, as well as manual Temperature and Tint adjustments. Its light controls include Exposure, Brightness, Contrast, Highlights, and Shadows. These adjustments can make two shots easier to compare, but they do not recover detail that was never captured. See Filmora’s color-correction guide for the documented controls.
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For future shoots, a gray card can provide an optional neutral reference for white balance. It is a capture-side aid, not a Filmora requirement or a guarantee that shots filmed in different light will match perfectly.
Match a clip with AI Color Palette
Filmora’s newer Windows instructions call the reference-based tool AI Color Palette. Follow these steps in the current interface described by Filmora’s guide:
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- Select the clip whose color you want to adjust.
- Open AI Color Palette from the clip’s right-click menu or from the Color panel.
- Choose a reference: move to the frame you want in a timeline clip, or select a local image or video.
- Generate the palette. If you chose a local video, select the reference frame you want Filmora to use.
- Save and apply the result, then adjust Strength to find a balance that suits the footage.
- Compare the target with the reference and check adjacent shots in playback so the grade works as part of the sequence.
The reference provides a direction for the target’s look; it does not mean every property of the shots will become the same. Differences in lighting, exposure, or camera capture may still need individual correction.
Choose a reference and refine the result
There are three practical choices to make in the AI Color Palette workflow:
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- Reference source: Use a timeline frame when the look comes from another shot in the project. Use a local image or video when your visual reference is outside the timeline.
- Strength: Treat the generated match as a starting point. Lower or raise its strength while comparing the target and reference; a full-strength effect is not automatically the most natural choice.
- Skin handling: Consider enabling Protect Skin Tones when people are in the footage, then inspect faces in the actual sequence.
Make the comparison under consistent viewing conditions and watch the clips in context, not only as isolated still frames. A match that looks convincing on one frame can still feel abrupt when the edit cuts between shots.
Independent reader supportYour contribution helps us test, update, and keep practical guides available for everyone.Use the older Color Match workflow only for its interface
If you are following an older Filmora tutorial, its Color Match workflow uses a reference preview, a Match button, a comparison view, and a strength slider. Filmora’s tutorial explicitly identifies that workflow with versions V11, V12, and V13; its newer Windows guide uses the AI Color Palette name and steps instead. The older sequence is: enable Color Match, choose a reference frame, click Match, inspect the comparison view, adjust strength, and confirm. See Filmora’s older Color Match tutorial and check that its labels fit your installed version before following it.
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When to use a LUT instead
A LUT is another way to apply a reusable look, rather than matching a target directly to a reference frame. Filmora documents importing LUTs, adjusting their strength, protecting skin tones, and exporting a selected grade as a .cube file. Use a LUT when you want to reuse a chosen grade; use AI Color Palette when the task is to bring one clip toward the appearance of a specific reference. Filmora’s documented controls are described in its color-adjustment guide.
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