fylm.ai

fylm.ai is a browser-based RAW photo editor and colour-grading tool for photographers and colourists who want to move grades between applications. It suits solo creators and small teams especially well; the trade-off is that cloud projects, saved-image size and Premiere Pro syncing depend on the plan.

Overview

Two AI tools give the workflow different starting points: NeuralToneAI builds cinematic grades using image context, while NeuralFilmAI creates film looks from image colour information. Grades can be saved as images or exported in formats that carry them into other editing tools. That combination makes fylm.ai more compelling as a grading and handoff workspace than as a reason to replace every application in a production workflow.

The maker says it handles RAW files from DSLRs, mirrorless cameras, smartphones and digital backs, as well as non-RAW formats. HDR finishing, camera RAW support and managed colour are supported. The browser-based workflow is listed for web, Windows, macOS and Linux. For a broader category view, see Video Color Grading Software.

Key features

AI grading and export

NeuralToneAI and NeuralFilmAI offer different ways to develop a look: one considers image context, the other the image’s colour information. Users can export grades as 3D LUTs, XMP profiles or Capture One styles, or save the graded image. Export is the practical strength here: it gives users a route to continue work in software that supports those formats instead of making the browser editor the final stop. The free plan’s saved-image limit is 2048 px, which may rule it out for full-resolution delivery.

Application workflows

Exported LUTs or profiles support workflows involving DaVinci Resolve, Photoshop, Affinity, Capture One, Lightroom, After Effects, Final Cut Pro, Vegas and ON1. Premiere Pro has a more direct integration: its extension uploads timelines to fylm.ai and syncs grades back with one click. That convenience is reserved for Pro and Team, so Premiere users on Free or Lite must rely on exports instead.

Collaboration

Private team or client collaboration, comments alongside grades and shared work for client feedback make the higher tiers relevant beyond individual editing. Team adds team-only comments, user roles and client-assignable statuses, giving it a clearer review-and-approval role than Pro. Enterprise adds multiple organisations, teams and API access.

Pricing

There is no free trial. Paid subscriptions are billed annually, and the pricing FAQ says sales are final because LUTs, XMP profiles and Capture One styles can be exported. That policy makes it sensible to confirm the storage model and plan limits before paying.

• Free — free: one user, three cloud projects, access to all tools and graded-image saving. It is a useful way to explore the workflow, but the three-project cap and 2048 px image limit restrict ongoing or high-resolution work. Community support is included.
• Lite — $7 a month, billed annually: one user, unlimited local storage, unlimited LUT creation, NeuralFilmAI, AI Auto Correct, Colour Extract and Colour Match. This is the lower-cost fit for a solo user focused on local projects and LUT creation. It gives up the listed cloud storage, NeuralToneAI and Premiere Pro extension of Pro. Files stay in one default browser project, with no extra bins or folders; very large projects may perform poorly. Email support is included.
• Pro — $15 a month, billed annually: starts at one user and includes 10 GB cloud storage, the Premiere Pro extension, NeuralToneAI, comments and collaboration. It is the more suitable solo plan for cloud work, Premiere syncing or the context-based grading tool. Email support is included.
• Team — $30 a month, billed annually: starts at three users and includes 25 GB cloud storage, team-only comments, additional user roles, client-assignable statuses and priority support. It is aimed at teams coordinating client feedback; the three-seat starting point is unnecessary overhead for a solo editor.
• Enterprise — custom pricing: custom user quota, multiple organisations, teams, dedicated support and API access. It fits organisations that need those administrative or integration capabilities rather than a fixed small-team setup.

Platforms

fylm.ai is browser-based and supports web, Windows, macOS and Linux. Lite’s local storage lives in the user’s browser, so unlimited local storage should not be confused with cloud storage or a flexible project library.

Who it's for

fylm.ai is a good fit for photographers and colourists who want AI-assisted grading, reusable LUTs or profiles, and a browser-based route between image work and other editing applications. Pro makes the strongest case for a solo Premiere Pro user; Team is better suited to shared client review. It is less attractive to someone who needs unrestricted high-resolution saving on a free plan, a more elaborate local project structure on Lite, or a subscription that can be tried before purchase.

Pros and cons

• Pro: LUT, XMP and Capture One style export lets users carry grades into a range of named applications.
• Pro: Two AI grading approaches provide distinct context-based and colour-information-based starting points.
• Pro: Team comments, roles and client statuses support a shared feedback process.
• Con: Free limits cloud work to three projects and saved images to 2048 px.
• Con: Lite is local-only in a single default browser project, and very large projects may have performance issues.
• Con: Premiere Pro timeline syncing requires Pro or Team, while paid plans are annual and sales are final.

Alternatives

Colourlab Ai is worth considering for someone who wants a free public beta or a free trial rather than fylm.ai’s no-trial setup; its beta requires an Apple Silicon Mac, with Windows support coming in October.

DaVinci Resolve is a relevant alternative for users seeking a free plan on Linux, macOS or Windows, with a Studio version priced at $295, paid once.

Baselight offers a 14-day fully functioning Baselight M trial and free licence options for users comparing a trial-based grading tool.

Dolby Vision Professional Tools may suit users specifically seeking command-line tools for Dolby Vision processing and QC.

Mistika Boutique is another option with a free educational plan that includes all features, H264-only renders and community support.

ColourSpace has a free ZRO option for manual calibration and display verification, but that tier has no LUT capability.

Hance is a free Linux and macOS option with built-in looks and H.264/H.265 export, limited to one file at a time.

Assimilate Live Looks is a paid alternative with a monthly recurring subscription priced at $89 a month.

Verdict

Choose fylm.ai if you want AI-assisted RAW grading that can travel as LUTs or profiles, especially if you work in Premiere Pro or need client collaboration. Its strongest paid fit is Pro for a solo editor and Team for a review group. Look elsewhere if the free plan’s three-project and 2048 px caps are too restrictive, you need a richer local project structure, or you want a trial before committing to an annual subscription.