James Lewin used a Nikon Z7 II permanently converted to 720nm infrared to make the 2026 Wildlife Photographer of the Year Animals in their Environment winner, “The Meeting Place.” The conversion turned harsh midday sun and water reflections at a Kenyan waterhole into dramatic skies, luminous vegetation and a soft, surreal scene, while providing enough sensitivity for the 1/800-second shutter speed needed to freeze an elephant’s spray.
The winning photograph and camera setup
Lewin’s image shows a young bull elephant spraying water over zebra and giraffe at a dry-season waterhole in Kenya’s Chyulu Hills. He photographed from a hide near the crowded waterhole and won the 2026 Wildlife Photographer of the Year Animals in their Environment category.
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The published technical details for “The Meeting Place” are:
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|---|---|
| Camera | Nikon Z7 II permanently converted to 720nm infrared monochrome |
| Lens | Nikon 28–75mm f/2.8 |
| Shutter speed | 1/800 second |
| Aperture | f/7.1 |
| Exposure compensation | +1 EV |
| Sensitivity | ISO 800 |
Lewin told TechRadar on 15 October 2026 that without infrared “there would have been no image.” His conventional frames in the middle of the day looked unattractive because bright sunlight and strong reflections flattened the scene. Infrared changed the problem into a visual advantage.
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Why infrared suited harsh midday wildlife light
Infrared records wavelengths beyond the visible range. Vegetation reflects a large amount of infrared light, so foliage becomes unusually bright. Skies can gain much stronger tonal drama, while water and dust take on a smooth, atmospheric appearance. In Lewin’s scene, those changes produced the otherworldly, almost timeless quality that ordinary color capture could not provide under the same conditions.
The choice was not only aesthetic. A waterhole is an active wildlife scene, and the elephant’s spray required a fast shutter. A camera converted to infrared can admit enough of the relevant light to work at 1/800 second. Lewin described the broader benefit as opening “a whole new opportunity” after the best morning light has gone: for infrared work, harsh midday conditions can become the start of the shooting window rather than its end.
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What a 720nm conversion does
Visible light is approximately 380–750 nanometres (nm); infrared begins above about 750nm. A standard digital camera has a physical filter over its sensor that blocks most infrared. A permanent conversion removes that filter and installs one designed to pass infrared wavelengths.
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A 720nm filter passes predominantly infrared while allowing a small amount of visible light. It is therefore associated with strong, traditional monochrome infrared rendering, such as bright foliage and deep, dramatic skies. The conversion is permanent: the camera is no longer a normal all-purpose color body unless it is converted again.
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720nm, 830nm and lower-cutoff options
- 720nm: Lewin’s choice; a practical balance for pronounced black-and-white infrared with some visible-light contribution.
- 830nm: Passes infrared more selectively and is used for a purer black-and-white infrared look, with less potential for false-color effects.
- Lower cutoffs: Admit more visible light and can produce stronger false-color results, but require a different white-balance and processing approach.
Permanent conversion versus an external infrared filter
An external Hoya R72 720nm filter is a removable way to test infrared on an unconverted camera. Nikon describes this approach as a popular starting point, but the camera’s original internal infrared blocker remains in the optical path. As a result, exposures can stretch to roughly 30–90 seconds even in bright sun.
| Approach | Motion and exposure | Reversibility | Best use |
|---|---|---|---|
| Permanent 720nm conversion | Efficient infrared capture; can support fast shutter speeds such as 1/800 second | Camera is dedicated to infrared unless reconverted | Moving wildlife, handheld work and dependable action timing |
| External 720nm filter on an unconverted body | Often requires approximately 30–90-second exposures because the internal IR blocker remains | Remove the filter and return to normal camera use | Low-cost experimentation, landscapes and static subjects |
That exposure difference explains Lewin’s decision. A long exposure cannot reliably freeze an elephant’s spray or a moving herd, whereas a permanent conversion makes action photography practical.
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Lens compatibility and infrared artifacts
Infrared does not behave identically across lenses. Anti-reflective and protective coatings can create a “hot spot”: a bright, hazy circle in the middle of the frame. Flare and ghosting are also possible. Lewin found that some modern professional lenses with sophisticated coatings performed poorly, while certain older, inexpensive lenses could be more suitable.
Check an infrared lens-compatibility database or test each lens before relying on it for wildlife. A lens that looks perfect in visible light can reveal a hot spot only after conversion. Lewin also cautions that infrared can produce striking but potentially distracting effects, including spooky-looking eyes in close-up lion portraits.
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Focusing, white balance and processing
- Focusing: Infrared wavelengths focus at a different point from visible light. DSLR users may need infrared focus calibration. Mirrorless cameras generally compensate more readily through electronic focusing and live-view feedback, but testing at the working aperture is still wise.
- White balance: Custom white balance is normally required, especially for lower-cutoff or false-color infrared captures. Use foliage or another infrared-bright subject as a reference rather than relying on the camera’s daylight preset.
- Raw processing: Monochrome conversions benefit from careful contrast and highlight control because vegetation can become extremely bright. False-color workflows require channel mixing and selective color adjustments after the custom white balance.
- Field checks: Review the center of the frame for a hot spot, inspect bright highlights for flare, and confirm focus on the actual subject before a key wildlife moment.
Can infrared make midday wildlife photography work?
Yes, but it solves a specific problem rather than replacing good light in every situation. In Lewin’s case, the conversion made bright, reflective conditions usable and preserved the shutter speed needed for action. It also gave the image a look that could not be recreated convincingly with a regular color camera.
Photographers should expect trade-offs: a permanent conversion commits the body to infrared, lens compatibility must be verified, and the resulting tonal response demands a dedicated white-balance and post-processing workflow. An external filter is safer for experimentation, but its long exposures make it unsuitable for most moving wildlife.
What the winning setup teaches photographers
- Choose infrared for a defined lighting or visual problem, not simply because it is unusual.
- For moving animals, use a converted body so exposure times remain short enough to freeze motion.
- Start lens testing before a trip; coatings, flare and hot spots vary by model.
- Set and test a custom white balance, then inspect raw files for highlight detail and artifacts.
- Use the wavelength deliberately: 720nm for a strong monochrome balance, 830nm for a more strictly infrared rendering, and lower cutoffs when false color is the goal.
Lewin’s Nikon Z7 II conversion worked because it addressed both halves of the assignment: it transformed an unappealing midday scene into a distinctive monochrome environment and delivered the fast exposure required for a fleeting burst of water.
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