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What happens in Apple’s “Crush!” ad?
Released on May 7, 2024, alongside the M4 iPad Pro launch, the roughly one-minute commercial opens on a colorful room filled with creative tools and cultural objects. A hydraulic press descends and crushes or flattens paint cans, musical instruments, cameras, sculptures, toys, books and other items. When it lifts, an iPad Pro is revealed. The voiceover calls it the most powerful and thinnest iPad. Apple’s original commercial makes the visual argument directly: many things go in; one tablet remains.
The ad depicts destruction, but that does not establish that Apple destroyed valuable original instruments, antiques or other specific objects in production. The reaction was about what the scene communicated, not proof of the props’ provenance.
What was Apple trying to say?
The intended metaphor was technological consolidation: one thin device can offer digital tools for drawing, photography, video, music, reading, games and design. Apple was also emphasizing the iPad Pro’s processing power and slim form. That is a claim about bringing capabilities together, not proof that a tablet literally replaces every physical instrument, camera, studio or craft shown.
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Apple did not say it wanted to destroy artists or creative work. That was an interpretation viewers drew from the imagery—and, for many, the image overwhelmed the product message.
Why did the ad provoke such a strong reaction?
It made creativity look like the thing being destroyed
The objects were not just obsolete gadgets. Paint, instruments, cameras, books and sculptures are tangible parts of how people make and experience culture. Watching them crushed before a single device appears made the sequence feel less like an invitation to create and more like an erasure of creative practice.
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The press suggested corporate power, not collaboration
A huge, impersonal machine descending on a room of human-made things is an aggressive image. The replacement is one product controlled by a technology company, so the metaphor could suggest that varied forms of expression are being absorbed into a single digital system.
The timing connected it to anxiety about AI and creative work
The commercial did not mention AI. But in 2024, artists and other creative professionals were already debating whether technology companies use creative work without adequate permission or compensation, automate creative jobs, and treat human-made culture as interchangeable material. The ad’s visual progression—many kinds of human production flattened and replaced by a device—made that connection easy to draw. Axios’s contemporaneous coverage linked the criticism to those existing concerns.
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The imagery clashed with Apple’s creator-focused identity
Apple has long marketed products to designers, musicians, filmmakers, photographers and other creators. Many critics belonged to that audience. A commercial that seemed to flatten the physical tools of their work therefore landed as callous rather than celebratory.
The spectacle outweighed the product benefit
The ad attached an unusually forceful image of destruction to the benefit of a thinner, more capable tablet. For some viewers, that made the metaphor feel disproportionate: the product message was about convenience, while the image looked like an attack on the things that make creativity human.
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Who criticized the commercial?
Criticism came from users and prominent creative figures, including Hugh Grant, who called it the “destruction of the human experience,” as well as Justine Bateman, screenwriter Ed Solomon, filmmaker Reed Morano and cartoonist James Kochalka. Tim Cook’s post sharing the spot also drew negative replies. Techmeme’s contemporaneous roundup collects reactions and coverage from several outlets.
That establishes a loud, widespread backlash, not a representative poll or unanimous public verdict. It also does not establish that the ad hurt iPad sales.
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Was there another way to read the ad?
Yes. The press could be read as a visual shorthand for fitting many creative capabilities into a portable device, and as a riff on the familiar online genre of videos showing objects being pulverized. Some viewers found the execution inventive, funny or technically impressive. The objects can be understood as symbolic inputs rather than victims; whether they were real, replicas or staged does not settle the argument about the symbolism.
That defense explains the concept, but not why it worked emotionally for everyone. An ad can be polished and its metaphor easy to understand while still producing the wrong response. Here, the intended message of possibility competed with a much more immediate image: creative objects disappearing under a press.
What did Apple do after the backlash?
After the criticism, Apple apologized, saying the ad had “missed the mark” and that the company intended to celebrate creativity. The Verge reported the apology on May 9, 2024. It addressed the commercial’s execution and message; it was not an admission that Apple had intended to demean artists. The available reporting supports an apology, not a claim that Apple removed every copy or that the controversy changed sales.
How does the ad relate to the iPad Pro now?
“Crush!” promoted the 2024 M4 iPad Pro. Apple’s current U.S. product page, as of August 2026, promotes an M5 model, so the device in the controversy is not the current generation. The current iPad Pro page lists the 13-inch model at 5.1 mm thick and highlights creative apps, Apple Pencil support and professional workflows. Those product capabilities are separate from the question of whether the ad was well judged.
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