LUTify.me

Overview

The product combines 144 scene-referred 3D LUTs with fylm.ai Lite, a browser-based editor and LUT creator. The LUT library supports log footage, technical LUT workflows and commercial use, with camera support spanning Arri Alexa, RED, Sony, Canon, Fujifilm and GoPro, among others.

fylm.ai Lite works across Mac, Windows, Chrome and Linux without installation. Its use of ACEScct internally and native DaVinci Wide Gamut support makes it relevant to colour-managed pipelines, while free access to the editor and print-film-emulation LUTs gives newcomers room to explore before paying.

Key features

• AI colour tools: AI Auto Correct balances an image in one click, AI Colour Extract derives a grade from an image, and automatic colour matching helps align images. These tools can speed up routine grading, though the product does not replace judgement over a final look.
• Flexible exports: Looks can be exported as LUTs, enhanced XMP profiles for Adobe Camera Raw, or ICC profiles for Capture One. Supported formats include .aml, .vlt, .xmp, .cube, IPP2 and ICC, making the output useful across different editing workflows.
• Broad host compatibility: Compatible software includes Photoshop, Lightroom, Premiere Pro, After Effects, DaVinci Resolve, Capture One, Final Cut Pro, Affinity Photo, ON1 Photo RAW and Skylum Luminar. Mobile options include LumaFusion and Video LUT for iOS, plus 3D LUT mobile for iOS and Android.
• Local-only projects: fylm.ai Lite has no collaboration or cloud storage, and edits stay on the computer where they were made. That keeps the workflow self-contained, but makes shared projects and switching computers inconvenient.
• Purchased LUT ownership: Purchased LUTs can be downloaded and retained after cancelling a subscription, then used without an active subscription once stored locally. This makes a pack purchase more suitable than a subscription for people who want lasting access to specific looks.
• Support and security: Support includes documentation, FAQs and a ticket form. The privacy policy says data is encrypted in transit with SSL and at rest with AES-256; it also cites PCI-DSS requirements and quarterly independent testing.

Pricing

LUTify.me is freemium, with an always-free fylm.ai Lite account and free scene-referred print-film-emulation LUTs. The free editor has no collaboration or cloud storage, and projects remain local to one computer.

• Individual LUT packs: Cine world Pro Warm and Cine world Pro Cold cost 15.00 USD per one-time purchase each. Studio Pro, Colour Film Boost Pro, Film Tone Pro and Commercial Pro cost 19.00 USD per one-time purchase each. Print Film Pro costs 25.00 USD per one-time purchase. Each is an add-on to a fylm.ai Lite subscription.
• LUT pack bundle: 99.00 USD per one-time purchase, includes all LUT packs, and is described as allowing use forever. It is an add-on to a fylm.ai Lite subscription, so it suits buyers who want the full pack collection rather than choosing individual looks.
• fylm.ai Lite Subscription: 84.00 USD per year, billed annually. It is the paid editor option, but no plan limits are stated.
• Professional Package: 59.00 USD per year for the first year, then 19.90 USD for every additional year. This legacy solution includes LUTs Previewer and is the lower-cost ongoing option after year one for readers who specifically want that package.

First-time purchases are final. Subscription renewals have a seven-day grace period in which to request a refund, so buyers should distinguish a one-time pack purchase from recurring access before committing.

Platforms

The platform listing covers Android, iOS, Linux, macOS, web and Windows. fylm.ai Lite itself runs in a browser on Mac, Windows, Chrome and Linux, with nothing to install; listed mobile-compatible software provides routes for using LUTs on iOS and Android.

Who it's for

LUTify.me is a strong fit for independent colourists, filmmakers and image makers who want scene-referred LUTs, AI-assisted grading tools and exports that travel across photo and video applications. Its commercial-use license and support for log footage make it suitable for professional workflows. It is less suitable for teams and multi-computer setups because edits are local and there is no collaboration or cloud storage.

Pros and cons

• Pro: The free editor and free print-film-emulation LUTs offer a usable entry point without an upfront purchase.
• Pro: LUT, XMP and ICC exports suit different colour workflows, and support for many host applications reduces dependence on one editor.
• Pro: Purchased LUTs remain usable after a subscription ends once downloaded, which is useful for buyers who prefer a permanent pack to ongoing access.
• Con: Local-only storage means projects cannot be picked up on another computer or shared through the editor.
• Con: First-time purchases are final, limiting recourse if a one-time pack or bundle is not a fit.

Alternatives

For a wider one-time LUT library, choose IWLTBAP LUTs: its 25.00 USD purchase includes 325+ LUTs as a ZIP download, compared with LUTify.me’s editor and scene-referred workflow emphasis.

For a free downloadable .cube library compatible with grading software or supported cameras, choose Canon LUT Library. ARRI Look Library is another free option, with 87 looks and free log-to-log versions; camera compatibility depends on the camera.

Choose CineColor LUT Library if monthly access to a full catalog, unlimited downloads and new releases suits you better than buying individual packs; its All Access plan is 29.00 USD per month and auto-renews, with skip or cancel anytime. Luttie LUT Packs offers individual LUTs for 3.50 USD per one-time purchase. Juan Melara Print Film Emulation LUTs, Gamut LUTs and Panasonic VariCam LUT Library are other alternatives.

Browse more options in Video LUT Libraries.

Verdict

Choose LUTify.me if you want a scene-referred LUT collection paired with a browser editor, AI colour tools and exports for several grading and photo workflows. The free entry point and downloadable packs are meaningful advantages. Look elsewhere if your work depends on shared projects or moving edits between computers: the editor’s local-only storage is the decisive limitation.